Choreography

Work built on choices

I choreograph the way I teach and judge. Movement should mean something, music should be a partner rather than a backdrop, and the dancers in the room should be visible in the work.

My work spans competition and convention pieces, concert dance, commercial projects, and university productions, shaped by seven years performing and coaching with Cirque du Soleil's The Beatles LOVE. Whether I'm setting a piece on a studio's senior company or building an original work for the stage, I start with intention, dynamics, and the specific dancers in front of me. What follows is a selection of that work.